'The big animal' on Harald Bluetheeth's Jellingstone: A reconsideration and perspectivation
Publikation: Bidrag til bog/antologi/rapport › Konferencebidrag i proceedings › Forskning › fagfællebedømt
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'The big animal' on Harald Bluetheeth's Jellingstone : A reconsideration and perspectivation. / Kaspersen, Søren.
Ejnar Dyggve: Creating Crossroads: International conference organized by The Institute of Art History – Cvito Fisković Centre, Split in collaboration with the Department of Arts and Cultural Studies (IKK), University of Copenhagen. red. / Slavko Kacunko; Josko Belamaric. Zagreb : Institute of Art History Croatia (IPU), 2014. s. 63-67.Publikation: Bidrag til bog/antologi/rapport › Konferencebidrag i proceedings › Forskning › fagfællebedømt
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TY - GEN
T1 - 'The big animal' on Harald Bluetheeth's Jellingstone
T2 - A reconsideration and perspectivation
AU - Kaspersen, Søren
N1 - Er kun tilgængelig som netpublikation på ovennævnte adresse
PY - 2014
Y1 - 2014
N2 - Ejnar Dyggve in his 1933 Eigentümlichkeiten und Ursprung der frühmittelaterlichen Architektur in Dalmatien gives a sketchy, yet comprehensive picture of his archaeological research in Salona. According to Dyggve, early medieval architecture in Dalmatia was characterized by oddities (Eigentümlichkeiten) and its origin (Ursprung). After about 300, Oriental and Syrian styles took a firm hold in early Dalmatian architecture. Simultaneously, a Late Antique “Byzantine” art was present, which gives rise to Dyggve’s concept of several phenomena fused together, and what he calls ‘Adrio-Byzantinism’. In 1951 he associates his ‘Adrio-Byzantine’ term with the baptistery at Salona. He singles out for special mention its two-zone protome capitals, presumably imported from Contantinople (Gerber had already published two of the capitals in 1917). However, little attempt has been made to present the two-zone protome capitals in a broader perspective. It is the purpose of this paper to discuss the figured motifs and foliage in so far it is possible on the basis of other forms of architectural sculpture and the sacred space as a vision of Paradise.
AB - Ejnar Dyggve in his 1933 Eigentümlichkeiten und Ursprung der frühmittelaterlichen Architektur in Dalmatien gives a sketchy, yet comprehensive picture of his archaeological research in Salona. According to Dyggve, early medieval architecture in Dalmatia was characterized by oddities (Eigentümlichkeiten) and its origin (Ursprung). After about 300, Oriental and Syrian styles took a firm hold in early Dalmatian architecture. Simultaneously, a Late Antique “Byzantine” art was present, which gives rise to Dyggve’s concept of several phenomena fused together, and what he calls ‘Adrio-Byzantinism’. In 1951 he associates his ‘Adrio-Byzantine’ term with the baptistery at Salona. He singles out for special mention its two-zone protome capitals, presumably imported from Contantinople (Gerber had already published two of the capitals in 1917). However, little attempt has been made to present the two-zone protome capitals in a broader perspective. It is the purpose of this paper to discuss the figured motifs and foliage in so far it is possible on the basis of other forms of architectural sculpture and the sacred space as a vision of Paradise.
KW - Faculty of Humanities
KW - Jellinge stenen
KW - Harald blåtand
M3 - Article in proceedings
SP - 63
EP - 67
BT - Ejnar Dyggve: Creating Crossroads
A2 - Kacunko, Slavko
A2 - Belamaric, Josko
PB - Institute of Art History Croatia (IPU)
CY - Zagreb
ER -
ID: 113614347