Installation Art: Between Image and Stage
Publikation: Bog/antologi/afhandling/rapport › Bog › fagfællebedømt
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Installation Art : Between Image and Stage. / Petersen, Anne Ring.
Copenhagen : Museum Tusculanum, 2015. 507 s.Publikation: Bog/antologi/afhandling/rapport › Bog › fagfællebedømt
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TY - BOOK
T1 - Installation Art
T2 - Between Image and Stage
AU - Petersen, Anne Ring
PY - 2015
Y1 - 2015
N2 - Despite its large and growing popularity – to say nothing ofits near-ubiquity in the world’s art scenes and internationalexhibitions of contemporary art –installation art remains a formwhose artistic vocabulary and conceptual basis have rarely beensubjected to thorough critical examination.In Installation Art: Between Image and Stage, Anne RingPetersen aims to change that. She begins by exploring howinstallation art developed into an interdisciplinary genre inthe 1960s, and how its intertwining of the visual and theperformative has acted as a catalyst for the generation ofnew artistic phenomena. It investigates how it became one oftoday’s most widely used art forms, increasingly expanding into consumer, popular and urban cultures, where installation’s often spectacular appearance ensures that it meets contemporarydemands for sense-provoking and immersive culturalexperiences. The main trajectory of the book is directed by a movementaimed at addressing a series of basic questions that get at theheart of what installation art is and how it is defined: How doesinstallation structure time, space and representation? Howdoes it address and engage its viewers? And how does it drawin the surrounding world to become part of the work? Featuring the work of such well-known artists as Bruce Nauman, Pipilotti Rist, Ilya Kabakov and many others, this book breaks crucial newground in understanding the conceptual underpinnings of thismultifarious art form.
AB - Despite its large and growing popularity – to say nothing ofits near-ubiquity in the world’s art scenes and internationalexhibitions of contemporary art –installation art remains a formwhose artistic vocabulary and conceptual basis have rarely beensubjected to thorough critical examination.In Installation Art: Between Image and Stage, Anne RingPetersen aims to change that. She begins by exploring howinstallation art developed into an interdisciplinary genre inthe 1960s, and how its intertwining of the visual and theperformative has acted as a catalyst for the generation ofnew artistic phenomena. It investigates how it became one oftoday’s most widely used art forms, increasingly expanding into consumer, popular and urban cultures, where installation’s often spectacular appearance ensures that it meets contemporarydemands for sense-provoking and immersive culturalexperiences. The main trajectory of the book is directed by a movementaimed at addressing a series of basic questions that get at theheart of what installation art is and how it is defined: How doesinstallation structure time, space and representation? Howdoes it address and engage its viewers? And how does it drawin the surrounding world to become part of the work? Featuring the work of such well-known artists as Bruce Nauman, Pipilotti Rist, Ilya Kabakov and many others, this book breaks crucial newground in understanding the conceptual underpinnings of thismultifarious art form.
KW - Faculty of Humanities
KW - Installationskunst
KW - performancekunst
KW - performanceteater
KW - mediekunst
KW - installation art
KW - performance art
KW - performanceteater
KW - media art
KW - consumer culture
M3 - Book
SN - 9788763542579
BT - Installation Art
PB - Museum Tusculanum
CY - Copenhagen
ER -
ID: 142922560